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 Sylvie Tual
.

         Artist - Samouraï

_




My paintings are mile-stones.  Those landmarks, posted in times of peace, punctuating patches of land, where, the rest of the time, paths are trodden and crossings passed. These pictures are the treasures of my conquest.

These framed images contain and organize, the precious elements that enable me to advance.  For example they contain the birth of an idea, a newly visited feeling, or the concretization of a thought process.  I find myself faced with a dead-end or a new departure.  An end of the world.  Turn around or wait some more: another way of finding one’s way.  This evidence sums me up.

The paintwork, explorer of my depths, comes back up and drops, to the surface of the canevas, a meaning. A reality is now playing in new colored fields, outdoors.

When they show me the way, these mile-stones are ‘pre-meditations’.  Waiting for the right time.  15 days.  3 months.  More perhaps.  During this period an enigma either sleeps or unravels itself.  Time is the ally. As for me, I return to the path of combat, of transformation, of rearrangement.  Then, one day, the revelation comes, in all innocence, an unfolding, an occurrence.  The narration can begin.  The fun starts.  Tighten.  Unleash tensions.  Experiment.  Hem in.  Allow to emerge.  But above all, render the metaphors legible, naturally.


To follow, this is my professional route

 

 

He who travels, arrives.

 

There was a moment where the stage on which I was teaching and thus acting, became too narrow.  At that time, I was seeing the countryside, visiting Europe, Africa, Normandy and the United States.  But I needed adventure to impregnate my work.  This time, my travels took me to Paris.

My original training in haute couture enabled me to penetrate into the world of theatre through costume making : installing forms and colours that would be later animated by actors, light engineers, stage decorators and Directors. 
Then, I took a new decision at the exorbitant price of leaving behind the heavy but luxurious confort of the red velvet and the suspended domes :
I chose in its place, to be the author-composer-interpretor-technician of each of my own creations.  To really grasp the reins.  I might as well do it.  As I like doing it.  And what I want to do is : PAINT.

 

 

1993: Here begins the immobile voyage.

 

2011 : Critic's Prize of the contemporary art magazine " ARTENTION ", An article to read in the next parution

2011 : Exhibition of 15 of my works for the France 2 T.V broadcast set of " Thé ou café " with the guest D.Thomson. To re-visualize, go on the site of the programme

2010 : The group Meeshaert publishes a book where 2 of my works illustrate their collection;
Our collaboration continues fortunately

2009:Exhibition "feminine - plural" at the Gallery Aréa in echo of the "elles@beaubourg"'s hanging

2009 : Critics' Prize of the conteporary art magazine " AREA-revue
See the article

2008 : Personnal exhibition  at  « La Chaudière »

2006 :  Personal exhibition at ‘collectif125’
                        125, Boulevard St Germain-Paris 75006

2005 : First acquisition of a work by the group Meeschaert

2005 : Collective exhibition at l’ Espace Commines by la Fondation Florence
                          Paris 75003

2003-2009 :  Development of my own workshop/exhibition/sale of work

1998-2009: Salon des Réalités Nouvelles
                         Salon of Contemporary Art for which I received the « Prix Marin » in 2000

2003: Salon  Art- Paris
                          Carrousel du Louvre-Paris 75001

2003: Galerie Courant d’art-Paris 75003
Exhibition with the artists (M.C.Aptel, T. Soulié, B. Bressolin …)

2003: Winner for the prize organised by ‘Club Med’
                        Creation of original pieces for the autumn/winter catalogue 2003 - 2004
                         international distribution
Sale of the copyrights for use of my paintings of the ‘club med’
Buying of the pieces of the private collection of the ‘club med’

2002: Galerie Courant d'art-Paris 75003
                          Group exhibition

2001: Galerie Christine Colas-Paris 75003
                          Private exhibition

2001: Galerie d'art de l'Unesco
                         I was integrated into their collection, appearing with the artists Howard Hodgkin, etc...

2000: Galerie de l'Atelier-Paris 75018
                        Private exhbition and workshop activity at the venue

1999: Albert Irvin et John Hoyland
                        I meet and collaborate with the working group of these English artists and french ones .